May
24
Pencil drawing of Wolverine and Daredevil by John Romita Jr.
(via mattmesker)
Zebra Zygotes
A mostly silent series of reblogs.
“
I quit my day job on Monday.
It was the second career change I’ve hit in the past month. ComicsAlliance closed a month ago. I knew the Friday before the news broke across the comics internet. It was a surprise, and an unpleasant one, but I took the weekend to get used to the idea and start making plans for the future. I worked through it, got over it, and moved on before everyone else found out it happened.
”“It’s so hard to say goodbye to yesterday” or “I’m not as aloof as I like to think I am.”
Life is ill, sometimes life might kill. Big changes in progress.
(via iamdavidbrothers)
(via iamdavidbrothers)
(via bigredrobot)
THAT IS THE END of my story from Cautionary Fables and Fairy Tales, the anthology where we adapted old fairy tales into a comic. You can pick up a copy of the book here! Thank you for indulging me a week off while also giving you a bunch of comics? It is weird.
Vampire Weekend, “Finger Back”
VanCAF, vancouver comic book festival this weekend.
May 25-26 2013 Sat. 10am-6pm Sun. 11am-5pm 181 Roundhouse Mews Vancouver, BC
get into it.
“Another interesting thing about these movies is that they’re really stupid. I say that with nothing but admiration. Complex world-building? Pious power-and-responsibility sermonizing? Character development? I CAN’T HEAR YOU OVER THE SOUND OF THIS SOUPED-UP ENGINE REVVING. No action franchise is more up-front about how all it wants to do is zoom-zoom-zoom-zoom and take your money; story- and characterwise, no franchise does more with less. So how’s this one? It’s great. It’s crack. It gets you really high. It’s automatically at least 17 percent less fun than Fast Five because Fast Five was an Ocean’s-on-taurine heist film and this one’s a Die Hard–esque gotta-stop-the-terrorists drama, but it’s no less crammed with twisted metal pirouetting in the air and people with special skills saying “I got this!” into walkie-talkies.
Maybe too full. Lin has called this one his “Robert Altman ensemble piece,” and as completely ridiculous statements go, that one is pretty accurate.” Alex Pappademas writing about the the Fast & Furiousverse. (I love that all of those movies are prequels to a movie I’ve never seen— I don’t know what that means but it almost sounds like a metaphor). ”I got this!” (via twiststreet)
Maybe too full. Lin has called this one his “Robert Altman ensemble piece,” and as completely ridiculous statements go, that one is pretty accurate.” Alex Pappademas writing about the the Fast & Furiousverse. (I love that all of those movies are prequels to a movie I’ve never seen— I don’t know what that means but it almost sounds like a metaphor). ”I got this!” (via twiststreet)
May
22
David Tries to Talk About Music: "Black Skinhead."
It’s 1996. I’ve finally broken past the parental wall (actually self-inflicted due to having nightmares from other stuff by the same dude) and gotten a copy of The Downward Spiral. “Hurt” ends for …I should probably figure out how to have it autopost. I was pretty self-effacing in the initial draft, but I’m kinda happy with how this came out.
(via libby-on-the-label)
(via bigredrobot)
Akira Report
Documentary from 1994 about the animated film, with lots of production footage(closeups of backgrounds being painted HELLO), interviews, and super awkward dubbing/narration. Some great stuff in this, including a part where Otomo defends against accusations of drawing “plain” looking girls rather than super cute ones(followed by a weird moment where the narrator sort of makes light of the scene where Kaori gets sexually assaulted by the clowns).
ARCHIE GOODWIN CAMEO
The cover from issue #1 of Richard Corben’s adaptation of Poe’s The Fall of the House of Usher, out last Wednesday from Dark Horse. Great stuff, creepy and macabre in that old-school way.
(via mercurialblonde)
Gregory Go Boom - from Michael Cera’s youtube, directed by Janicza Bravo.
I really like what Michael Cera’s doing these days.
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